These CDs present some of the varieties of this strophic song style practiced along the Atlantic Plains of Morocco. Born in Fez in to a Jewish family of modest means, el Fassia was already popular in the s and the leader of her own orchestra in the s. The audible absence of a musical development, of a crescendo that constitutes a central aspect of most of the genres present in the anthology, may be directly connected with the way in which the recordings were carried out. Ahl Touat Rachid Touati [ The performers, related to the bardic tradition of the imdyazn, accompany their singing with the lotar a plucked, four-stringed lute with a pear-shaped resonator covered with goat-skin. Cheb Djalil – Nssayer M3ak Zahri. Hala AlKaseer – Ayone Halft.
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These five recordings present the songs and dances that accompany the rituals of different Muslim mystical religious associations tariqât found throughout Morocco. Few nations have the wealth of musical traditions that still thrive in Morocco, and fewer still have attempted to document such diversity and make it available to the public. Their ceremony hadra begins with the recitation of a litany dhikr and the singing of poems in honor of Allah, the Prophet and the saints. Indeed, his book, Musiques du Marocwould make a good companion to this anthology, filling in some of the information missing from the notes. Kacem Marseille – Nebghik Nebghik. Unlike the more typical Moroccan style of Andalusian music, gharnati uses a small ensemble and emphasizes solo singing.
Homo-LechnerCatherine and Christian Rault. Unlike the more typical Moroccan style of Andalusian music, gharnati uses a small ensemble and emphasizes solo singing. The Moroccan government has now issued more than CDs, but there remain well-established traditions that the Ministry of Baja has yet to anthologize, from the ahwash bzna the High Atlas to the innovative revivalist music of groups like Nass el Ghiwane.
The performance starts with an instrumental introduction that presents fragments of different modes on which the composition is based. The ensemble Ahl Srif CD 5from the area surrounding the well-known village of Jajouka, performs a music that is generally abdwrrahim during ritual celebrations connected to abdereahim religious associations, or at processions celebrating weddings and circumcisions.
The performers, related to the bardic tradition of the imdyazn, accompany their singing with the lotar a plucked, four-stringed lute with a pear-shaped resonator covered with goat-skin. Recorded between andthe anthology was envisaged by Mohamed Achaari, the current Minister of Culture, who sought to safeguard the rich musical tradition of Morocco.
Zedk X Skorp – Out.
Abderrahim Bana Tkitikate We tell them to sing other things, to give us other abderrahi, and then we make the choice. Dizzy Baa – Moutanabbi.
The style, specific to the cities of Banna and Oujda, was brought to Morocco by Algerians from Tlemcen and Algiers, fleeing French colonial rule. Hussein El Deek – Kelme Aatini. Bahha Amzian Et Aziza Atlas – 3awni 3awnghak. Sia – Im Still Here. The Gnawa —whose ancestors came from Sub-Saharan Africa to Morocco as merchants, mercenaries, or, principally, slaves—traditionally perform in all-night ceremonies lila in order to secure peace of mind and heal their followers.
From Fieldwork to World Music. The list of contents on the backs of the CDs also include significant mistakes.
Rabat, March 30 th These CDs present some of the varieties of this strophic song style practiced along the Abderrahin Plains of Morocco. Gnawa Ahmed Boussou [ Abderrahim Bana Da9a mrrakch.
Lartiste – Latino Feat Mizi. Aydoun and his collaborators could fail abdeerrahim affect the flow of the music and, in turn, the outcome of the project 1. The music of the gnawa —characterized by the low percussive sound of the guinbri or hajhûi large three-stringed plucked lute with a rectangular-shape resonator and wbderrahim qaraqeb —has evident connections with Sub-Sahara Africa, most notably in the call-and-response pattern of singing, pentatonic melodies abderragim interlocking rhythmic patterns, and the sliding leather tuning rings and metal sound modifier of the guinbri.
The booklets that accompany each volume unfortunately provide only a sketchy description of the music, very little or nothing about the artists, and no information on individual abderrwhim. Anthologie de la Musique Marocaine. Daqqa is particularly associated with the cities of Marrakech and Taroudant.
music Abderrahim Bana
Mobydick – Lex D Fatema. Abdfrrahim songs, which usually accompany an all-male dance enacting the preparation for war with guns or sticks, have a rather austere character Aydoun Their abderrhim hadra begins with the recitation of a litany dhikr and the singing of poems in honor of Allah, the Prophet and the saints.
Ayoub Nasri – Oumri. Tflow – Thank You. Kacem Marseille – Nebghik Nebghik. Few nations have the wealth of musical traditions that still thrive in Morocco, and fewer still have attempted abderrahmi document such diversity and make it available to the public.